A Jazzy Hip-Hop Christmas

"Brass and Boujee" featuring Kemet the Phantom, Kadesh Flow, and Marcus Lewis Big Band: 

Kemet Coleman otherwise known as Kemet the Phantom is one of Kansas City most elusive yet heralded musicians. Maintaining his integrity as a rapper, the Substruct Music artist formlessly combines elements of Jazz and electronic music in his production style with Rap aesthetics to create what many have coined to be "Dapper Rap". Coleman's broad spectrum of sensibilities can be seen in his group affiliations. He is a member of the Hip-Hop duo COA (Center of Attention) and the lead singer of the 8-member Funk/Rap/Soul band The Phantastics. Kemet, shines as a complete showman embracing a James Brown-esque persona via syncopated vocals, rhythmic dance moves and dapper costume style.

As a rapper, trombonist, and producer, Kadesh has been wowing both suspecting and unsuspecting listeners with his musical versatility since his early teens. At age 11, 'Desh, as many of his listeners call him, began rapping and playing trombone within two weeks of one another. Now, the young emcee actively blends his jazz and hip hop backgrounds into body bouncing and head bobbing tracks that range from crunk to sultry, from melodic to face-melting. Kadesh's wide reaching content hops from socioeconomic musings to life bars that are laced with anime and video game references, some of which have led to placement opportunities with Toonami Asia and various documentaries and web series. He has also shared the stage with numerous Billboard charting and prolific artists such as B.o.B., Tech N9ne, Caroline Shines, the Revivalists and numerous other performing acts. Kadesh is a member of the NPC (Nerdy People of Color Collective), through which he is working with Founding Member Mega Ran and fellow NPCCers to both collaborate on fun, relevant content and foster a community for underrepresented nerd enthusiasts. Currently he is lighting up stages around the country, gracing such events as Official SXSW Showcases, MAGFest, PAX Prime, FanExpo: Dallas, Anime Expo & Otakon, as well as various music venues throughout the country.

Marcus Lewis was born in Augusta Georgia in 1978. He began playing trombone at the age of 12 and shortly after decided that music was his calling. In 2001, Marcus graduated from Valdosta State University with a Bachelor’s Degree in Jazz Performance and continued on to receive a Master’s Degree in Trombone Performance from the University of Nebraska at Omaha. Marcus currently lives in Atlanta, GA where he leads his own quintet and continues to tour with The Marcus Lewis Band and the Grammy Nominated vocalist, Janelle Monáe.

 

and

Bobby Watson:

A saxophonist, composer, arranger and educator, Bobby Watson grew up in Kansas City, Kan. He trained formally at the University of Miami, a school with a distinguished and well-respected jazz program. After graduating, he proceeded to earn his "doctorate" – on the bandstand – as musical director of Art Blakey's Jazz Messengers. The group, created in 1955 by late legendary drummer who died in 1990, showcased a rotating cast of players, many who, like Watson, would go on to have substantial careers as bandleaders in their own right. The Jazz Messengers – frequently referred to as the "University of Blakey" – served as the ultimate "postgraduate school" for ambitious young players.

After completing a four-year-plus Jazz Messengers tenure (1977-1981) that incorporated more than a dozen recordings – the most of any of the great Jazz Messengers, the gifted Watson became a much-sought after musician, working along the way with a potpourri of notable artists – peers, elder statesmen and colleagues all -- including, but not limited to: drummers Max Roach and Louis Hayes, fellow saxophonists George Coleman and a younger Branford Marsalis, celebrated multi-instrumentalist Sam Rivers and trumpeter Wynton Marsalis (who joined the Jazz Messengers at least in part at the suggestion of Watson). In addition to working with a variety of instrumentalists, Watson served in a supporting role for a number of distinguished and stylistically varied vocalists including: Joe Williams, Dianne Reeves, Lou Rawls, Betty Carter and Carmen Lundy.

Later, in association with bassist Curtis Lundy and drummer Victor Lewis, Watson launched the first edition of Horizon, an acoustic quintet modeled in many ways after the Jazz Messengers but one with its own distinct slightly more modern twist. Among the groups' other talented members were pianist Ed Simon, trumpeter TereIl Stafford and bassist Essiet Okon Essiet. Clearly, by all critical accounts, Horizon, which still performs together on special occasions, is now considered as one of the preeminent small groups of the mid-1980s to mid-1990s and even into the 2000s. The group recorded several highly acclaimed titles for the Blue Note and Columbia record labels including Post-Motown Bop (Blue Note) and Midwest Shuffle, Live! (Columbia); the latter is a compendium that captured the group in concert at a number of locations in 1993.

In addition to his work with Horizon, Watson also led a nine-piece group known as the High court of Swing – a tribute to the music of Johnny Hodges – as well as the GRAMMY-nominated 16-piece, large ensemble Tailor Made Big Band. The lyrical stylist is also a founding member of the well-respected 29th Street Saxophone Quartet, an all-horn, four-piece ensemble.

Watson's classic 1986 release, Love Remains (Red) has long been recognized by the Penguin Guide to Jazz (Penguin). Having received the publication's highest rating it was then identified in the ready reference book's seventh edition as a part of its "core collection" [i.e. a "must-have"], joining other entries by a number of aforementioned jazz masters as a recording that any jazz aficionado should own.

More recently Watson issued a series of recordings on the Palmetto label. On the heels of his No. 1 releases, Live & Learn (2005) and Horizon Reassembled (2006), which brought him back together with Lewis, Stafford, Simon and Essiet, the saxophonist issued From the Heart (2008) which unveiled yet another project where he again shares the limelight with bassist Lundy. The release also went to No. 1 on the national jazz airplay chart and remained there for nine weeks.

For more than three decades now Watson has contributed consistently intelligent, sensitive and well-thought out music to the modern-day jazz lexicon. All told, Watson, the immensely talented and now-seasoned veteran, has issued some 30 recordings as a leader and appeared on 100-plus other recordings, performing as either co-leader or in support of other like-minded musicians. Not simply a performer, the saxophonist has recorded more than 100 original compositions including the music for the soundtrack of A Bronx Tale, which marked Robert DeNiro's 1993 directorial debut. Numerous Watson compositions have become classics such as his "Time Will Tell," "In Case You Missed It" and "Wheel within a Wheel," each now oft-recorded titles that are interpreted by his fellow musicians both on the bandstand and on other recordings.

 

Saturday, December 16, 8:30pm

Price

$10.00

Presenter

American Jazz Museum

Location

Blue Room Jazz Club
1600 E 18th St
Kansas City, MO 64108
United States